"It was the dawn of the psychedelic 1960s, and she saw that she could create herself in a new form, as an alter ego she called Genesis P-Orridge...."

"After art school she formed a confrontational performance group called COUM Transmissions, which shocked the British art world with a 1976 exhibition called 'Prostitution' at London’s Institute of Contemporary Arts. The exhibition included pornography, strippers and used tampons, and led one member of Parliament to call the group 'wreckers of civilization.' The core members of COUM morphed into Throbbing Gristle, an often abrasive experimental band that coined the term 'industrial music' to describe its repetitive, amelodic soundscapes. As with COUM, performances might involve nudity, self-mutilation, dead animals and Holocaust imagery; the band’s best-known single [was] 'Zyklon B Zombie'....  [I]n 1991... Genesis relocated to Kathmandu with her first wife, Paula, and their daughters, Genesse and Caresse.... There, as Genesis’s first marriage unwound, she found another unlikely identity, as a single father of two girls, attending P.T.A. meetings in a silver miniskirt and thigh-high boots.... On a trip to New York, she met Jacqueline Breyer, a dominatrix and nurse. Their love was so consuming that they wanted to fuse into a single entity, freed from the binary divisions of gender.... They got matching breast implants.... 'We’d go to our plastic surgeon and say, what else can we do now to look more alike?'"

From the NYT obituary for Genesis P-Orridge, nee Neil Andrew Megson. The cause of death, at age 70, was leukemia.

The obituary closes with this quote from Genesis: "Some people take their lives and turn them into the equivalent of a work of art. So we invented Genesis, but Gen forgot Neil, really. Does that person still exist somewhere, or did Genesis gobble him up? We don’t know the answer. But thank you, Neil."