Showing posts with label The Simpsons. Show all posts
Showing posts with label The Simpsons. Show all posts

Friday, January 21, 2022

"Hello, I’m Tom Hanks. The US government has lost its credibility, so it’s borrowing some of mine."

 Said Tom Hanks in "The Simpsons Movie" (in 2007), quoted in "‘The Simpsons did it first’: Tom Hanks’s video for Biden likened to cameo" (London Times).


From the London Times article:

In a two-minute video released by the Biden Inaugural Committee yesterday, the Oscar-winning actor narrates the accomplishments of the Biden administration in its inaugural year — pointing to the distribution of vaccines and that “shops and businesses are buzzing again all over the country.” 

Here's the new video, which I clicked off — muttering "Oh, jeez" — at the 3-second mark: 

 

I'm going to try again to watch it, for the sake of this post, but I'm going to publish first, because I don't know how many on-and-off clickings it will take for me to reach the end. 

ADDED: Okay. I've finished. It was long, but it mainly said we're dealing with Covid and the economy is coming back. It would have worked just as well as a Trump ad. Maybe the Democrats realize they need to squirrel away the divisive issues.

Friday, March 13, 2020

"When I happen upon almost any image from one of the 'Simpsons' Instagram [accounts that post single frames from the show], I am struck by how absolutely visually gorgeous it is."

"This is, perhaps, especially true when it comes to @scenic_simpsons, with its visions of a violet car, its headlights on, cruising in a darkened parking lot full of silent vehicles; or an abstract thicket of trees, their tops as dense and foreboding as storm clouds; or a digital clock on a bedside table, its face glowing 7:59, next to an orange phone. Though they come to us via our hubbub-filled Instagram feeds, these stand-alone pictures are as quietly stunning as any made by our greatest American artists of alienation and loneliness, from Edward Hopper to Arthur Dove."

From "The Aesthetic Splendor of 'The Simpsons'" by Naomi Fry (in The New Yorker).

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