"One of the first killer jokes in the stand-up act of Louie Anderson was about the meanness of older brothers."

"Imitating one of his own in an intimidating voice, he warned that there was a monster in a swamp nearby. With childlike fear in his eyes, Anderson reported that he avoided that area 'until I got a little older and a little smarter and a little brother.' Pivoting to the future in an instant, he adopted the older brother voice, pointing to the swamp and telling his sibling: 'That’s where your real parents live.'"

From "Louie Anderson and the Compassion of America’s Eternal Kid/He displayed an empathetic humanity that he shared offstage with his friend Bob Saget. The loss of both comics represents the end of an era" by Jason Zinoman (NYT).

When you think of the 1980s comedy boom, the first artist that comes to mind for many is Jerry Seinfeld and his clinically observational brand of humor. For others, it might be the rock-star flamboyance of Eddie Murphy or Andrew Dice Clay. But in the days of three major networks, the culture incentivized a warmly inclusive, rigorously relatable comedy that could appeal to a broad mainstream and, at its best and most resonant, had an empathetic humanity.

The outpouring of love for Bob Saget... was in part...  because of a vast audience that saw him as the friendly paternal face on “Full House” and “America’s Funniest Home Videos.”... Anderson fit seamlessly into an equally idealized role as our culture’s eternal kid. There was a boyish innocence and sweetness to Anderson that never left him, even when he was playing a mother on “Baskets,” a remarkable and sincere performance....

I haven't kept up with network sitcoms, so "Baskets" was news to me. I enjoyed this, showing clips from the show, him getting made up as Christine Baskets, and his very sweet account of how he's bringing his own mother back to life:

And here are Saget and Anderson in a podcast conversation (recorded last May). 

ADDED:

The star of my all-time favorite TV sitcom has died.

I'm sad to hear that Bob Saget has died. He was only 65. But this post is about Dwayne Hickman, who died yesterday at the age of 87.

His show, "The Many Loves of Dobie Gillis," was on TV from 1959, when I was 8, to 1963, when I was 12.

From the NYT obituary:

For all its well-scrubbed chastity, the series marked a quietly subversive departure from the standard television fare of the day. It was among the first to place the topical subject of teenagerhood front and center by recounting the story from a teenager’s point of view. It broke the fourth wall weekly, opening with a monologue in which Mr. Hickman, seated in front of a replica of Rodin’s “Thinker,” gave viewers a guided tour of his gently angst-ridden soul.

Many well-known actors received early exposure on the series, notably Bob Denver as Dobie’s best friend, Maynard G. Krebs, a scruffy junior beatnik who yelps “Work!” at the merest suggestion that he seek gainful employment.... Tuesday Weld was seen regularly as the beautiful, avaricious Thalia Menninger, the financially unattainable object of Dobie’s affections; Warren Beatty had a recurring role early in the run as a blue-blood classmate. 

Dobie’s cantankerous, tightfisted father and sweet, harebrained mother were played by the characters actors Frank Faylen and Florida Friebus. His deeply intellectual classmate Zelda, aflame with unrequited love for Dobie, was portrayed by Sheila James. (Under her full name, Sheila James Kuehl, she became, in 1994, the first openly gay person to be elected to the California state legislature.)

They forgot to mention Chatsworth Osborne Jr., the ridiculously snobby rich kid. 

And why did they call Zelda "deeply intellectual"?! Seems to me Zelda was sexually harassing Dobie, failing to accept that no means no, insisting that he'd end up with her because their names on the alphabetized class roster were right next to each other — Gillis and Gilroy. Thalia was at least as smart — and much more rational. 

I really don't think anyone on that show was intellectual, and certainly not "deeply intellectual." Deeply! Where does the NYT get that? From the fact that the actress turned out to be gay? Here's the Wikipedia article on Zelda:

Zelda especially irritated Dobie by wrinkling her nose at him. He always wrinkled back; he claimed it was a reflex action (often admonishing her "Now cut that out!"), while she took it as proof that he loved her but didn't realize it yet. Zelda assured Dobie that he would eventually come to realize his love for her through the influence of "propinquity": because he was Gillis and she was Gilroy, they were always going to be seated together through high school and college and would eventually fall in love.

Here's a full episode — complete with opening theme, musing by "The Thinker," and plenty of Thalia:

"Bob Ross was wrong. Everybody can't paint.... I just want people to know that none of the trees in my paintings are happy. They're very unhappy...."

 

I'm excited about this because I loved John Lurie's old show, "Fishing With John."